
Popular in the eighteenth century, artists specialised in the 'pastel painting' of portraits, for example Francis Cotes. Paper would be collaged onto prepared canvases and used as a more durable support for these fragile works. The high content of chalk as a base for pastels means that it can be easily smudged and smoothed, producing convincing and subtle three-dimensional effects. Drawings need to be sprayed with a fixative in order to prevent further movement on the surface, but not for too long else the particular powdery and translucent quality of the pastels is deadened.
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